Dir, Acad Engagement for Acad Discipline
Odendahl-James, J. “The Science of Dramaturgy and the Dramaturgy of Science.” The Routledge Companion to Dramaturgy, Routledge, 2014, pp. 381–88.
Odendahl, J. “The Thin Blue Line.” Encyclopedia of Documentary Film, Routledge, 2006.
Odendahl, J. “Arts Funding and Censorship.” Social Issues: An Encyclopedia of Controversies, Histories, and Debates, edited by James Ciment, East River Books, 2006, pp. 169–77.
Odendahl-James, Jules. “Women's Voices on American Stages in the Early Twenty-First Century: Sarah Ruhl and Her Contemporaries. By Leslie Atkins Durham. New York: Palgrave Macmillan, 2013; pp. ix + 214. $95 cloth, $95 e-book..” Theatre Survey, vol. 56, no. 3, Cambridge University Press (CUP), Sept. 2015, pp. 435–37. Crossref, doi:10.1017/s004055741500037x. Full Text
Odendahl-James, J. “Mapping and Making: Dramaturg as Performance Geneticist.” Theater Topics, vol. 24, no. 3, Routledge, Sept. 2014, pp. 211–23.
Odendahl-James, Jules. “Book Review: The Rise of True Crime: 20th-Century Murder and American Popular Culture.” Crime, Media, Culture: An International Journal, vol. 6, no. 2, SAGE Publications, Aug. 2010, pp. 243–47. Crossref, doi:10.1177/17416590100060020601. Full Text
Odendahl-James, J. "Science is no country for storytellers, baby.": Bones as a Forensic Procedural.. 2010.
Odendahl-James, J. “Review of The Rise of True Crime: Murder and Twentieth Century Armerican Culture by Jean Murley..” Crime, Media, Culture, 2010.
Odendahl-James, J. “Review of Radical Acts: Theatre and Feminist Pedagogies of Change, eds. Ann Elizabeth Armstrong and Kathleen Juhl..” Theatre Survey, vol. 51, 2010.
Odendahl, J. “"Embodied Views to the Visual Through Interdisciplinary and Reflexive Methodologies".” Text and Performance Quarterly, Jan. 2003.
Odendahl, J. “Giving, Loving, and Writing.” M/C: A Journal of Media and Culture, vol. 5, Nov. 2002.